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It's not very rock 'n' roll to play in socks

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Chucks, ankle boots and low black heels are a “shoe-in” for Edmonton musicians when it comes to their performance footwear. 

Forget about $890 (US) Buscemi high-tops or Nicki Minaj’s gravity-defying Zanotti stilettos — our musicians want to be comfortable onstage, without blasting their bank accounts.  

“If I’m tour, I bring options — usually a pick between flat ankle booties or heeled ankle booties,” says soul-pop songstress Nuela Charles. 

“If I’m playing a local gig, I always assess the stage during sound check to see the state in which it’s in because I don’t want to get a heel stuck in a crack or lose balance or any other unpleasant things. I never wear anything ever too high. I tried that once — platforms. Nearly died.” 

Some local musicians go so far as performing in their socks. 

“Wearing shoes feels so clunky,” says Jim Cuming, better known by his stage name, Jom Comyn. “I rehearse shoeless. Mind you, I don’t take my socks off. Nobody would appreciate that.” 

“It feels like you’re at home,” says Joe Nolan, who has yet to be called Shoeless Joe. “Sometimes you gotta keep ’em on, though. I wore (shoes) at an outdoor gig in Lloydminster when it was minus 40. You gotta keep your toes alive.” 

We surveyed the feet of a few of Edmonton’s musicians: 

MITCHELL LAWLER 

This hip-hop artist loves to perform in his skateboarding shoes: Nike Zoom SB Stefan Janowski, to be precise. “They’re mad comfy so you can rock them all day and they’re snug so you can jump around onstage without fear of them slipping off or chafing you,” says Lawler. “They’re a low cut so you can show your sock game off too, which always a nice touch.” 

He also loves his “hella fly” Jasper sneakers — by Diamond Supply Co. — but he can’t wear them onstage. He found out the hard way.  

“They’re not the most flexible shoe and their grips are near non-existent. The first and only time I wore them performing, I almost lost my footing multiple times. It probably didn’t help that we had to perform on a wall of speakers — where people decided to leave their drinks — but I’d still never perform in them again. I’m gonna save these to get dressed up and hit the town.” 

Chuck Taylors are Ben Shillabeer's choice of footwear.

Chuck Taylors are Ben Shillabeer’s choice of footwear.

BEN SHILLABEER

As the drummer in country-rock band The Dungarees, he might be the only member who doesn’t wear boots onstage. He prefers his Converse high-tops. 

“I wear them when I play drums because they are light, subtle and never seem to go out of style,” says Shillabeer. “Many times I’ve had to go buy a new pair simply for the fact that I’ve walked in vomit in a club at the show the night before. They’re only 50 bucks and I’m not gonna wash the old ones, especially in some motel sink when I’m on tour.” 

Would he consider playing shoeless? “Imagine sharing gear and the drummer before you was walking around this packed club with 800 drunk people and there’s god knows what on the floor, then you go up there and put your bare feet on the same pedals that he played with just before?!”

We’ll take that as a no. “Plus, it’s not very rock ‘n’ roll to play in socks,” says Shillabeer. “Unless you’re the Red Hot Chili Peppers.” 

Cue rimshot. 

Rachel Woznow likes a little bit of a heel.

A little heel goes a long way for Rachel Woznow.

RACHEL WOZNOW  

“I love shoes. I love all kind of shoes,” says the 19-year-old vocalist behind Big & Loud, a recent Top 40 radio hit in the U.S.

“I think it depends on where I’m performing and what I’m singing, but I definitely love my fun heels,” says Woznow. “I love things that are kind of edgy but girlie at the same time. I wouldn’t see myself in stiletto pumps onstage, but I have these chunky sandals that are really, really fun.

“I wore them for my performance at Hot 107’s Hot Factor block party and I remember how much fun I had. They were very flattering and I could still dance around in them.” 

This Blundstone boot — and its partner – go everywhere with Steph Blais.

P.S. Steph Blais has another Blundstone boot just like this one.

STEPH BLAIS  

This singer/guitarist takes her black leather Blundstone boots wherever she goes with Post Script, a bilingual folk-pop trio. “They are by far the best purchase I’ve ever made — excluding my guitars,” says Blais. 

“They go with anything and everything and are very versatile. I absolutely hate wearing heels while I perform. I always end up losing my balance and being a clumsy person in general, I try to avoid any bad situations that could potentially happen.” 

Soft bottoms are one of the selling points of Rebecca Anderson's Cuban tap shoes.

Soft bottoms are one of the selling points of Rebecca Anderson’s Cuban tap shoes.

REBECCA ANDERSON 

“I think it’s important to have shoes you can trust onstage,” says Anderson, who sings and plays keyboard and accordion for F& M, a baroque-pop trio. 

“Since 2014, I’ve only worn my old Cuban tap shoes (without the taps) onstage. They have soft bottoms so it’s easy to feel (my keyboard) pedals and also manoeuvre on a messy stage, and I like how comfortable they are.” 

In the past, when she wore boots onstage, Anderson often kicked off the right one so she could feel the pedals under her toes. But her tap shoes offer many more benefits than going shoeless. 

“My tap shoes have the perfect heel height!” she says. “They give me good balance when I’m standing with my accordion and great knee height for sitting with it. They are very ratty looking but I love them.” 

Jesse Northey makes a point of going shoeless at the Stanley A. Milner Library Theatre.

Jesse Northey makes a point of going shoeless at the Stanley A. Milner Library Theatre.

JESSE NORTHEY

Pedal power is also key to this singer/guitarist/producer. He opts to go shoeless onstage because he uses quite a few guitar pedals — and he can operate them better in socks than in his Doc Martens. 

“My boots are usually too big and hit too many pedals at once and cause trouble,” says Northey, who fronts Jesse and the Dandelions. “And I only wear one pair of shoes. I’m the kind of guy that when I go to buy a new pair of shoes, I throw the old ones in the garbage.” 

“But there are certain bars that you don’t want to go shoeless because you’ll be bleeding on the floor if you step on glass, so I play it by ear. I wouldn’t go shoeless at Wunderbar, but I would go shoeless at The ARTery.” 

Talk about a diplomatic answer. Both bars no longer exist. 

ssperounes@postmedia.com

Twitter.com/Sperounes


Social Seen: Visits to the Strauss Ball and Lunar New Year Festival

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon


Johann Strauss Ball

When: Feb. 20

Where: Chateau Lacombe Hotel (10111 Bellamy Hill Rd.)

Who: Hosted by the Johann Strauss Foundation and the University of Alberta

Featuring: A champagne reception, decadent meal, live entertainment, dancing and scholarship presentations

Supporting: Proceeds from the event will help send students to Austria to continue their classical music training

 

Lunar New Year Festival

When: Feb. 20

Where: Golden Rice Bowl Chinese Restaurant (5365 Gateway Blvd.)

What: An annual event hosted by the Rotary Club of Edmonton Southeast

Featuring: A 10-course Chinese meal, live and silent auctions, music and dance, and a live painting completed throughout the evening for auction

Supporting: The Rotary Club’s various community endeavours

 

Skirts Afire design contest forges strength with beauty

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Six models and Opus, a confident bearded collie, strut into the gallery space at Nina Haggerty on 118th Avenue. They’re all friendly rivals in SkirtsAfire’s annual design competition for, what else, skirts, with a mandate to use recycled material.

Spinning the room, Brenda Phillips’s submission is a smart felt piece converted from Opus’s generously shed dog hair. Ashley Hennig’s paper skirt responds to the contest’s theme of “skirt with a story,” and is made of precisely folded newspaper clippings. A shimmering black skirt inspired by a Chinese fable about a hungry dragon is nine-year-old Phoenix Lewis’s graceful submission. “I want to scream,” says Lewis, the youngest designer after winning second in the event. “In a good way!”

Model Lore Green wears the winning design created by Jane Kline.

Model Lore Green wears the winning design created by Jane Kline.

Posing ferociously in armour made of gold and silver aluminum cider cans, Lore Green could rush a fortress on Game of Thrones. The model occupies her outfit fiercely, drawing an imaginary bow and posing like a barbarian, bucking ridiculously bare-chested female-fantasy tropes. Green notes, “Usually with the skirt it would taper in at the waist, like you’d have to have an hourglass shape. It doesn’t do that. It isn’t about being sexy. It is sexy — but it’s about being protective.”

This work, Skirt of Armour, wins the jury over for top prize — helped by Green’s performance.

Designer Jane Kline — the department of drama property master at the University of Alberta — brought together 151 cider cans and window blinds, putting in more than 100 hours of work, weaving strips and cutting it together with regular scissors. “There’s a delicate balance that women have to find,” Kline muses, “between strength and femininity. I personally think strength, confidence, intelligence is feminine, and it is sexy. But it doesn’t have to be all the tradition trappings of,” she pauses, “flesh.”

This year’s skirt-making contest saw the most submissions ever, nine — six shortlisted for the SkirtsAfire’s HerArts Festival preview event Monday morning.

In its fourth year, the March 10-23 festival running along 118th Avenue celebrates the hard, creative work of women across the arts — in theatre, music, dance, visual art, comedy and spoken word. Its numerous exhibitions, workshops and performances are all entry-by-donation.

Festival director Annette Loiselle admires the shimmering winner of the contest as a metaphor for the festival itself. “It’s so bold, so powerful and beautiful.”

In an annual ritual, the outfit will be ceremonially cut — if only slightly — as the festival opens, then displayed in the Alberta Avenue community league Cabaret Space, the festival’s key venue. “We might add a ribbon and cut the ribbon,” Loiselle laughs. “We don’t want to ruin a good skirt!”

fgriwkowsky@edmontonjournal.com

@fisheyefoto

Social Seen: a Jane Austen ball and support for Syrian refugees

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon


Event: Regency Midwinter Ball

When: Feb. 27

Where: Fairmont Hotel Macdonald (10065 100 St.)

Who: Regency Encounters 

What: A Jane-Austen-inspired Regency costume ball

Featuring: Traditional 19th century dance, music, costuming and food 

 

Event: Fundraiser in Support of Canadian Red Cross for Syrian Refugees

When: Feb. 28

Where: Canadian Druze Centre (14304 134 Ave.)

Who: Support for Canadian Red Cross Syrian Refugee Appeal Committee

Featuring: Poetry, musical and dance performances and delicious Middle Eastern cuisine. Performances by the Middle East North African Music Ensemble, Tarabish Collective and the beautiful poetry of Ghada Alatrash

Supporting: Displaced Syrian refugees in the camps in Lebanon and Jordan as well as receiving refugees arriving in Canada

 

Wedding tales: Couple elopes to mountains for picture-perfect ceremony

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MAKING CHOICES

Wedding date: September 18, 2015

Wedding location: Tunnel Mountain Reservoir

Reception: Parlour Italian Kitchen & Bar, three weeks later

Guests: 0; 100

First dance: Ed Sheeran’s Tenerife Sea

Dress: Vintage Alfred Angelo

Flowers: Willow Flower Co.

Photographer: Tricia Victoria Photography

Videographers: RF Weddings

Budget: $20,000

On the day of their wedding, Kristyn Wagner told her groom, Joe Wagner, what really mattered to her.

“I didn’t need a ring or a party or a piece of paper to know how much I mean to you,” she said during their outdoor ceremony in Banff’s Tunnel Mountain Reservoir. “I don’t need a day – I need a lifetime, and that’s what you’ve given to me.”

That sentiment is relatable to most couples. But when this bride said she didn’t need any fanfare, she meant it.

She really meant it.

Kristyn and Joe Wagner got married in Banff Sept. 18, 2015.

Kristyn and Joe Wagner got married in Banff Sept. 18, 2015.

When Kristyn and Joe tied the knot, the only people in attendance were the justice of the peace, the photographer and two videographers. Intimate, by any standard.

Although they’d been together for over five years, Kristyn, a dental hygienist in Sherwood Park and Northeast Edmonton, hadn’t been thinking marriage just yet. Both she and Joe had older siblings who were in relationships, and she assumed Joe, a project manager at a concrete form work company in St. Albert, would wait until they got engaged first.

“I go in the books as one of the most surprised people to ever get proposed to,” says Kristyn.

In July of 2015, just before they were to go on holiday to California, Joe surprised Kristyn at her parents’ house, where she was going for dinner. A sign at the front door read “Roses are red, violets are blue, follow the trail, I’m waiting for you.”

There were flowers and a video of pictures of the pair, and Joe even drove them to her grandparents’ grave to ask their permission.

The final flourish: Joe had decorated Kristyn’s parents’ gazebo in curtains, lights, candles and flowers, and hired their friend, musician Paul Woida, to sing Kristyn’s favourite song, Tenerife Sea by Ed Sheeran.

“He sang for us all night even though he wasn’t supposed to,” says Kristyn. “I was like – ‘This is the wedding! … Who needs a wedding!?'”

As it turns out, Joe did. So while they were driving down the California coast on their vacation, they agreed to compromise. Kristyn didn’t want to plan it for the following summer, nor did she want a winter wedding. They settled on fall (which was quickly approaching), and Kristyn messaged photographer Tricia Victoria, whose pictures she’d been admiring on social media.

Kristyn told her she wasn’t at all fussy about the wedding, but that the only thing she wanted was for Tricia to take the photos. If they had to get married on a Tuesday at City Hall for that to happen, so be it.

Tricia had a much better idea. “She said, ‘Since you’re not into weddings, do you want to elope to the mountains?'” says Kristyn. It wasn’t difficult to convince Joe.

“Kirstyn showed me a video of two people who had done it,” he says. “And I said, ‘Let’s do it!’ I was happy to do what we wanted, because nowadays it’s easy to get pressured into having a huge wedding.”

For the bride who wasn’t into wedding planning, Tricia proved very helpful when it came to location-scouting, flowers, hair, hotels and clothing. She found a field – Kristyn had wanted to get married in one – helped the bride with her dress, and drove her to the ceremony.

Taking Tricia’s styling advice, Joe wore suspenders and a bow-tie instead of a suit-jacket.

Kristyn honoured her mom by wearing her 33-year-old Alfred Angelo wedding dress.

Kristyn honoured her mom by wearing her 33-year-old Alfred Angelo wedding dress.

As for Kristyn, she honoured her mom by wearing her 33-year-old Alfred Angelo wedding dress. She altered the sleeves and the bottom, but the bodice fit perfectly. Joe didn’t see it until the big day.

“It was gorgeous,” he says. “She was walking over to me from a pretty far distance away, so Kristyn and the whole setting were just gorgeous.”

Kristyn had a peach and pink bouquet, a matching flower crown and wore off-white ankle boots. She was about 15 minutes late for the 1:30 p.m. ceremony, but it wound up working in their favour.

“It was windy and cold, and then, right before I came out, the sun came out and the wind stopped. So our ceremony was really warm. The sun was on us,” she says.  “We just looked at each other the whole time. We didn’t even pay attention to the justice of the peace.”

It was only two months and three days from the day they were engaged.

Part of the compromise was that they’d have a party in Edmonton three weeks later, where they invited 100 family and friends. They chose downtown restaurant, Parlour, and celebrated on Thanksgiving Sunday. They wore their wedding clothes again (Joe added a jacket because it was now October), and surprised their guests – who thought they were attending official nuptials – by playing their wedding video from the mountains.

“I was happy that we got to enjoy that part of it,” says Joe. “We were already married, but just to celebrate it with friends and family was great. It was just nice to have everyone in one place.”

As for Kristyn, she doesn’t regret the party at all. After all, what’s a marriage without compromise.

 

New Edmonton shoe shop a big step for March First Footwear

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Throwing a grand-opening party for March First Footwear on the 1st of March seems like marketing-campaign genius, but Kim Hill didn’t name her new shoe boutique to coincide with the season. In fact, the store’s technically been open since December.

“It’s about marching first and being first in your community,” says Hill, who credits her friend, Edmonton artist Steven Csorba, with the moniker. “Being first with your fitness, being first with anything that you do. We kind of fell in love with the name and thought it was different enough and interesting enough that we could play a lot of different ways with it.” 

This isn’t, however, Hill’s first fashion-retail enterprise. For seven years, she owned and operated Thread Hill – a popular clothing store on 124 Street. So why make the move from that trendy strip of boutiques, bakeries and gift shops to the southwestern corner of the city at 18336 Lessard Rd?

A couple of reasons. First, she wanted to fill a niche. “There’s a big gap in Edmonton’s women’s shoe department,” says Hill.

To wit: There’s no shortage of chains like Aldo for your $80-$100 pumps; and then there’s the super-high-end wares carried by Holt Renfrew. But when it comes to purchasing unique, good-quality footwear – finding that sweet spot between compromising quality and spending a fortune – there aren’t as many options.

“We start at $150 and up,” says Hill. “We’ve lost Lord’s Shoes which was a big player in the city and they had that market. We lost En Privado, which brought some of the dressier, higher-end shoes. You still have some great stores in the malls, but not a lot of little independents out and about.”

So when another shoe store, Katwalk, was moving out of the space Hill currently occupies, she saw it as an opportunity for change.

“My daughter used to work in the shoe business and we just saw it as a great way to get into a new business,” says Kim. “(Construction around) 124th Street has been tough lately with the parking issues, the bridge issues … This opportunity presented itself to us, and we thought that we just wanted to take the leap.”

Clothing, she adds, is a totally different ball game than shoes. “We did very well with clothing and we had the right lines and we were finding the right market, but I have an easier time justifying $300 on a pair of boots than on a sweater. Shoes are an investment, and good shoes make a difference in how you feel if you’re wearing something comfortable as opposed to something that doesn’t fit right.”

For now, March First is a mother-daughter operation. Hill’s daughter, Kali Hill, works with her at the store. As well as introducing their own favourites, they made a conscious decision to carry many of the same brands as Katwalk, so existing customers can find what they’re used to.

Brand names include A.S. 98, France Mode, Fly London and Frye boots – which both mother and daughter wore the day of the grand opening. 

Hill also carries jewellery in her shop, which is exclusively from local designers such as Orange Avocado by Sandra Paetsch.

And how about local shoe brands? None yet, but Hill says she would love to start working with local shoe designer Greg Morgan when March First starts carrying men’s shoes in the fall.

Spring shoes line the shelves now. The fall selection promises to be colourful and throw back to the 70s, says Hill, who just returned from a buying trip to Toronto. Expect purples, blues, metallics and dual-purpose boots.

Indeed, the careful curation and selection of all the latest styles is key to what Hill wants to accomplish at March First. “That’s what boutiques need to be giving people,” she says. “People want choice.”

Social Seen: design awards and a motorcycle build

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon

 

Event: Prairie Wood Design Awards

When: Mar. 8

Where: Chateau Lacombe Hotel (10111 Bellamy Hill Rd.)

Who: Wood WORKS! 

What: Awards gala for excellence in wood construction across the Prairies in seven categories

Why: Recognizing local design and construction professionals committed to sustainable and economic building choices and using Canada’s abundant renewable resource: wood

 

Event: Fade to Black Launch Party

When: Mar. 10

Where: Mercer Tavern (10363 104 St.)

Who: Federal Moto

Why: Celebrating the launch of the fourth official Federal motorcycle build — a 1975 Honda cb550 dubbed “Fade to black”

Featuring: Tall cans, “Motor Oil” Old Fashioned’s, and Mercer’s famous fried chicken

 

Social Seen: Music fans check out the new Needle Vinyl Tavern

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon.

Event: Joel Plaskett solo with Borscht solo

When: March 11

Where: The Needle Vinyl Tavern (10524 Jasper Ave.) 

What: A sold-out evening of dancing, food and celebration for the grand opening weekend of the Needle Vinyl Tavern. The new live music venue is now open in the recently renovated Alberta Block Building (the old CKUA building).

 

Event: Parka Patio : FUTURE CITY

When: March 12

Where: Latitude 53 (10242 106 St.)

What: An annual winter fundraiser in support of upcoming programming and gallery operations

Featuring: The gallery showcased local art and design, reinvented as FUTURE CITY, inspired by downtown Edmonton’s changing skyline and the possibilities. Performances by DJ Teller, DJ SpennyB, and GoldTop.

 

 


Victorian Goth by local talent shines at Western Canada Fashion Week

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Heather Curtis gazes at the world around her, and is inspired. Japanese street fashion, nature, books by Edgar Allan Poe — it’s all creative fodder for the 28-year-old Edmonton designer of Solstice Ready-to-Wear.

A law firm clerk by day, Curtis has been toiling nights and weekends for months, hand-crafting the 13 outfits that make up her upcoming fall and winter collection to debut March 30 during Western Canada Fashion Week.

The week is a great opportunity, she says, for young designers to get exposure.

“It brings everybody that’s in the industry together so you get to meet photographers, stylists and store owners,” says Curtis. 

It’s the 22nd season for WCFW, which has run every spring and fall for the last 11 years. It kicks off Thursday, March 24 with a student showcase, and ends on the March 30 with a collection extravaganza, featuring Curtis, as well as other locals such as LUXX Ready to Wear. 

In between, there is a Global night, with international talent on tap, and a Fantasy Costume night, complete with whimsical hair and makeup experts.

Stanley Carroll’s new menswear line is featured during Western Canada Fashion Week at a show on March 30.

Stanley Carroll’s new menswear line is featured during Western Canada Fashion Week at a show on March 30.

Industry insiders are excited that longtime Edmonton designer Stanley Carroll, who has just launched a menswear line, is also part of the celebrations on the final night. 

“Stanley is showing fall/winter 2016, but it’s new for him to be doing a solely a men’s collection … we’re excited with his directional change,” says Sandra Sing Fernandes, executive director of WCFW. 

Fernandes says that yearly, more international names are coming to the event, as well as a plethora of Alberta and Canadian talent, too.

“We started getting a lot of international interest and it’s grown. It’s a little bit shocking,” she says. “We thought that because we were a small city, and mid-country, that it might be impossible to attract certain people. But the good nature of the Edmonton spirit, along with our support for talent, is shining through in this area as well.”

Curtis, who has a Bachelor of Arts degree in art and design and has also completed the 13-month intensive fashion program at emcee College, says WCFW gives her a chance to see and be seen.

“People who might not have the funds to do their own event, or have their stuff carried in stores yet, get to show their lines to people in the industry, as well as to buyers and the general public,” she says.

Fashion designer Heather Curtis's blazer dress with velvet lapel and mesh sleeves. Photographed in the hallway of her apartment building, in Edmonton.

Fashion designer Heather Curtis’s blazer dress with velvet lapel and mesh sleeves, photographed in the hallway of her apartment building.

Curtis’s creations fall into a couple of different categories. A child of the ’90s, she works in a genre she calls Glam Grunge, a dark and edgy esthetic dressed up with studs and crystals. Romanticism is another of her favourite looks, inspired by Victorian architecture, decor and clothing. A piece of Ethereal Goth may set black silk against netting and feathers.

“I’m hugely influenced by texture,” says Curtis.

Her show on March 30 riffs on The Fall of the House of Usher, a story by Edgar Allan Poe. Edwardian in structure, it features opulent material like velvet, but with “elements of decay,” such as fabrics with a distressed finish. It’s geared to winter, with long skirts, vests, and jackets.

Right now, interested buyers could purchase a one-off Curtis creation for about $230 for a furry short jacket. A longer jacket may go for $350. Curtis wishes she could sell more items, potentially for less money each. But one of the challenges of being a newbie designer is that it is hard to find a manufacturer that can do small runs of, say, fewer than 100 copies of each design. 

“As an emerging designer, it’s pretty hard to get to the next level, outside of doing all the products yourself,” says Curtis.

Her dream is to find a manufacturer that’s still in North America, but can cater to a small client like Solstice Ready-to-Wear. And then, one day, she hopes to walk into local stores such as Tattered Rose, or Sanctuary, and see a Heather Curtis hanging in the window.

lfaulder@edmontonjournal.com

Follow me on Twitter @eatmywordsblog.

Western Canada Fashion Week

Where: ATB Financial Arts Barns, 10330 84 Ave. 

Tickets: tixonthesquare.ca or http://tickets.fringetheatre.ca or 780-409-1910

Thursday, March 24: Student Showcase, doors 7 p.m., show 8 p.m., $10

Friday, March 25, Saturday March 26:  Global Collections, doors 7 p.m., show 8 p.m., $25

Monday, March 28: Fantasy Night, doors 7 p.m., show 8 p.m., $25

Tuesday, March 29, Wednesday March 30: Collections, doors 7 p.m., show 8 p.m., $25

Thursday, March 31: Celebrity Collections, doors 7 p.m., show 8 p.m., $45

 

Social Seen: Celebrating designers and emerging writers

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon

Event: Refinery en Vogue

When: March 19

Where: Art Gallery of Alberta 

Who: West Edmonton Mall and the Art Gallery of Alberta

What: A celebration of design-related programming through the Poole Centre of Design

Featuring: A fashion show and textile-based installations, custom creations made specifically for the evening by local designers featured alongside new looks provided by West Edmonton Mall. Music by DJs Girls Club.

 

Event: The Big One Zero

When: March 23

Where: Yellowhead Brewery (10229 105 St.)

Who: Glass Buffalo Magazine

Why: Celebrating Glass Buffalo’s milestone 10th issue

Featuring: Engaging stories and poetry written and read by Edmonton’s best emerging creative-writing talent. Additionally, stories from the magazine’s history and delicious food and drinks.

 

Edmonton transgender model makes debut at Western Canada Fashion Week

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TJ Jans was surprised to be asked to walk in Edmonton fashion designer Stanley Carroll‘s runway show for Western Canada Fashion Week. 

For one thing, Jans, 36, who prefers the pronouns “they” and “them,” doesn’t think of themselves as a model type. Jans is also a female-to-male transgender person. Born a woman, Jans told their partner in December 2014 that they needed to make a transition. The following summer they started on hormone replacement. 

Jans will be wearing clothes from Carroll’s menswear line during Wednesday night’s show at the Arts Barns. 

“To be asked to model menswear is a surprising choice; (Carroll) could face some backlash,” says Jans. “Having a female-to-male trans person in his show doing menswear, that’s a possibility. I was surprised that he went there at all.” 

In fact, it was Carroll’s wife, Marcie Whitecotton-Carroll — Jans’ co-worker at the University of Alberta — who raised the idea.

“I don’t think of myself (as a model), so it kind of blew me away,” says Jans, who works for the communications team in the faculty of arts. “This past year is when I came out as trans, so it’s been kind of a crazy journey. I’ve encountered people who are really uncomfortable with that, as well as a lot of people who are awesome.”

As Jans explains it, gender variant or transgender people are those who don’t “express themselves on the binary way we think about gender.”

Most people are cisgendered: men and women who identify with what they were assigned at birth, or whose gender in their brain matches their body.

“If people choose to express themselves on a gender that’s not what they’re assigned from birth, that’s being trans or gender variant,” Jans says. “When I say trans, that’s also an umbrella word. But generally, when someone says they’re trans, I think they’re usually moving from one sort of gender presentation to another.” 

The fact that Carroll — a menswear and womenswear designer known for inventive prints, novel cuts and cosy fabrics — selected Jans for his show is, perhaps, one of the signs that Alberta is moving in a more open and progressive direction when it comes to our transgender population.

“I’m excited that this might give some representation to trans people, particularly to young trans people, especially with what’s going on in Edmonton right now with the Catholic school board,” says Jans, referring to the debate over separate washrooms and general policy for transgender students within the school board.

“There’s a lot of people who feel really hopeless because of the backlash. “We’re hearing more about trans people, and trans people are in the media. But there’s also a lot of backlash from people who are afraid, I guess, of change. They’re afraid of trans people.”

In some ways, however, Jans says Alberta and Edmonton are doing well. The public school board, for example, has policies in place that are good for trans people.

And Jans mentions the allies defending trans people from cruelty and harassment on social media. In fact, non-trans voices are particularly important in the fight for equality: “We really need people who are allies to step up.”

“Alberta’s in a good place,” says Jans, but there’s still work to be done. 

“There’s a lot more violence and fear directed at trans women, especially when there’s intersectionalities — when there’s trans women of colour. And I think there’s a lot of young people who are still facing a lot of dangerous situations, especially in rural Alberta areas, because there’s nowhere some of those kids can go.”

For all of these reasons, despite any possible reservations, Jans never really considered not doing the fashion show.

“At first, I was kind of terrified. I’ve done some stuff on stage, but it’s not my comfort zone at all. But I thought this would be a fun and good way to get a really positive story out there. So anywhere there can be some positive news about trans people and positive portrayals, I think it’s a really important thing right now in this city.”

TJ Jans, a transgender model, is wearing clothes created by fashion designer Stanley Carroll.

TJ Jans is wearing clothes created by fashion designer Stanley Carroll.

Jans also considers this something of a personal milestone. 

“I actually felt a lot of fear and stuff the first year — it was tough to work around. I’ve got to a spot where I feel comfortable in it. That’s another reason why it surprised me when Marcie asked me, because I think I haven’t been entirely comfortable with myself until now. So being asked to be in the show matched up with this feeling of finally being in a good spot with myself.”

—–

Stanley Carroll presents his collection at 8 p.m. on Wednesday as part of Western Canada Fashion Week at the ATB Financial Arts Barns, 10330 84 Ave. Tickets available at the box office, Monday to Friday, from 9 a.m. to 5 p.m.; online at tickets.fringetheatre.ca; or by phone at 780-409-1910.

You can also get them at Tix on the Square at Sir Winston Churchill Square (9930 102 Ave.), Monday to Friday, 9:30 a.m. to 6 p.m.; online at www.tixonthesquare.ca or by phone at 780-420-1757.

Social Seen: Supporting Western Canada Fashion Week, industrial and visual designers

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts&life@edmontonjournal.com or tweet Max at @maxwellbrandon.

Event: Western Canada Fashion Week

When: Mar. 31

Where: ATB Financial Arts Barns (10330 84 Ave.)

What: A showcase of Canadian design talent and local fashion

Featuring: New collections from local designers Daniel Snow, Baluev’s Fashion Studio, and Melany Rowe. Also, work from Elina Ten Eco Couture, Mister Cosmetics & John Mio, Malika, and Tugce Yavas. 

Event: Common Ground Opening Reception 

When: Mar. 31

Where: FAB Gallery (Fine Arts Building, University of Alberta)

Who: University of Alberta’s Bachelor of Design graduating class of 2016

Featuring: An exhibition displaying the connections and relationships between both streams of Industrial and Visual Communication Design, including impressive work on display ranging from furniture design to social design campaigns.

   

Wearable art: Edmonton designers create towering headpieces and painted masks

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When Amy Skrocki and Tanner Wilson-Skrocki put on a fashion show for their leather and metal wearable art, it’s doesn’t just consist of a few models traipsing down a catwalk.

The latest show for their brand, Paragon of Design by Skrocki, during Western Canada Fashion Week in March, was a fantasy drama, complete with an imagined world, stunning visuals, a synopsis for the audience, a whole cast of characters and a smoke machine.

“We write stories together and character sketches, and we try to develop pieces that we feel embody those characters,” says Tanner. “We gave everyone on the runway a little bit of an idea and insight into their character.”

But even with all of the fanfare, the show’s standout element was the clothes: the nine individual looks lovingly — and rather painstakingly — brought to life.

Paragon of Design by Skrocki

Paragon of Design by Skrocki.

Paragon of Design’s immaculate and towering headpieces, elaborate painted masks, precisely laser-cut tops and cuffs in-laid with gems and crystals, and lavishly adorned corsets stand out for the quality of design, materials and craftsmanship.

“We actually calculated it out — the nine outfits took close to 1,300 hours to make,” says Amy.

The couple have been together for 16 years, and making the line for nine. Tanner used to have a day job as a film liaison at the City of Edmonton, but after he went on paternity leave for their one-and-a-half-year-old daughter, Seraphim, he never went back. Now, they both work full-time (sometimes around the clock) on their costumes, filling orders for their popular 3-D sculpted and leather-bound books, or making metal accessories.

Both quote history and travel as major inspirations. Tanner adds fantasy and sci-fi flicks like Lord of the Rings and Alien to his list; while Amy cites religious iconography, Gothic cathedrals and Byzantine artwork.

Amy does the bulk of the design work. Tanner apprenticed under her to learn the 35 of 40 steps necessary to make a necklace, a pair of cufflinks or earrings — items that make up a large chunk of their business.

The pair’s home garage workspace already looks like a behind-the-scenes studio of a movie set, but Amy’s dream for the future is a larger studio and more employees as they shift their business model.

A look from Paragon of Design by Skrocki's Western Canada Fashion Week show.

A look from Paragon of Design by Skrocki’s Western Canada Fashion Week show.

The couple used to sell their designs at craft shows, sometimes at the exhausting pace of one show per week, but that didn’t leave much room to display their larger-scale, statement wearable-art items — nor was it really the market for that type of work. 

So how to show off those fantastic belts, corsets and masks? They’d been aware of WCFW’s Costume Design Competition for a few years, but Amy always put off entering. That changed when she had her daughter, which reminded her that life is precious and anything can happen.

“After that, I thought: if something ever happened to me, I’d have all these designs, and nobody would ever have seen them. So I said, ‘I’m going to enter that competition.’ And I did.”

They won. That was in 2015, which makes this past fashion week a year since their first fashion show.

In the past couple of years, they’ve been approached by theatre productions and publications that want to borrow or buy their big-ticket items. Those worlds — as well as film and television — are where Paragon of Design would, ideally, like to head.

“We had never considered it before, which is crazy,” says Amy. “It’s like a whole new world opened up. It was like an epiphany: this is where we should have started.”

From Paragon of Design by Skrocki's Western Canada Fashion Week show.

From Paragon of Design by Skrocki’s Western Canada Fashion Week show.

Now, the pair does most of their sales online. They also fill lots of custom orders and sell their items wholesale. Their only “storefront” is the St. Albert Farmers’ Market — which they love. 

“We really have an inventory of about 400 items, but anything can be customized,” says Amy. “So, if you see a dragon on a pair of cufflinks, we can do that dragon on anything — a purse, an iPad case or a pendant. Each store can have their own customized line of items exclusive to them.”

Paragon of Design has also been commissioned to make art for the Fairmont Banff Springs hotel, and to create custom leather books and iPad cases (complete with the Alberta crest) for the Government of Alberta to give away to foreign dignitaries and delegates visiting the province.

One of Paragon of Design’s corsets won an international wearable art competition, and their work is on display in places like the Saskatchewan Craft Council and the Alberta Craft Council. They’ve also been a presence at two Golden Globes gifting suites in Los Angeles — no small feat.

Extra exposure comes with some risk, but they don’t mind. “We’ve had our designs stolen and made in Bali or China, but you know what? Was it better to just keep it in the garage and never show anyone? I don’t think so,” says Amy.

A look from Paragon of Design by Skrocki's Western Canada Fashion Week show.

A look from Paragon of Design by Skrocki’s Western Canada Fashion Week show.

Amy and Tanner are keen to keep building their profile, but not just for the benefit of their own brand.

“To have Edmonton named as one of these places that makes cool handmade things that are sent all over the world? I would love that,” says Amy. “That would be just awesome.”

Paragon of Design by Skrocki is available online at skrocki.ca. Amy Skrocki and Tanner Wilson-Skrocki will be at the St. Albert Farmers’ Market, in front of St. Albert Place at 5 St. Anne Street, every Saturday from June to October. 

Intimate Edmonton wedding followed by 'crazy party' eight months later

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It wasn’t exactly love at first sight. After all, Charlotte and Frantz Clarkson had already known each other casually (and affectionately) for about 13 years.

But when they reconnected in 2013, both out at Central Social Hall with separate groups of friends, something was different.

“I knew when I saw him that day,” says Charlotte. “One hundred per cent. I said to myself, ‘He will be my husband’.”

It was also serendipitous, because neither of them typically frequent that bar. “It was weird that either of us were there, let alone both of us at the same time,” she adds. “But that’s how stuff happens.”

But almost as soon as they started dating, Frantz, who was coaching football at the University of British Columbia at the time, had to go to Vancouver from August to December, while Charlotte, an accountant, remained in Edmonton.

The couple dated long distance for four months before Frantz returned to Edmonton for the following eight. By the time August rolled round again — when he was about to start another coaching stint at UBC — Frantz proposed while the pair were on a two-day trip to Seattle.

After a night of dinner and dancing, he picked a spot near their hotel on the street. “This guy was out there skateboarding,” says Frantz. “And he said, ‘Do you guys need a place to talk? There’s a really cool patio up these stairs.’ So we walked up the stairs and it’s downtown Seattle and we could see all the buildings. So the vagrant skateboarder gave me the best spot.”

They ended up tying the knot just four months later, in December 2014.

“I didn’t want this drawn-out engagement. Now having gone through that, I was a little naive that it could just happen in that short period of time. You’d have to have a superstar to do that,” says Frantz, referring to his wife. “And Bergman.”

Charlotte quickly found wedding planner Jennifer Bergman, who not only helped her plan the ultra-intimate Dec. 18 wedding that Frantz wanted (there were 11 people total) at the Fairmont Hotel Macdonald but also the crazy party they’d follow up with in June.

“Frantz said, ‘I have one request’,” recalls Charlotte. “And that was that we get married with just our immediate family. At first, I struggled with that, and then I agreed, and it was the best thing that I ever did.

“I recommend that to everyone that I know now that’s getting married, to do the wedding separate from the reception. Just because you’re present in the day. You don’t have to worry about anything else and you don’t have to worry about anyone around you. It was the best.”

Charlotte, now 38, wore a sleek, long-sleeved, knee-length Tom Ford gown (“we went non-traditional in December and then more traditional in summertime,” says Frantz) and red Salvatore Ferragamo shoes, while Frantz, now 42, wore a made-to-measure grey Canali suit and a Tom Ford tie.

“She looked amazing. The dress was current but looked kind-of ’80s. She knocked it out,” says the groom. “My favourite part was when the doors opened, and (Charlotte’s Dad) Mr. B — he occasionally cracks a smile but he’s a pretty stoic dude — he was beaming, and Charlotte was excited.”

Their guests left by 10 p.m., the two enjoyed drinks together, then changed into their sweatpants, went for a walk and sat in the lounge of the Hotel Mac. Perfection.

Charlotte had no regrets about the small wedding but she still wanted to celebrate with all of their friends. “I still wanted the craziness of a party.”

She got that on June 27, 2015, when they had 130 friends and family at the Art Gallery of Alberta for cocktails, dinner and a party. The colours were neutrals, white and grey, and the couple used local vendors to add elegant touches: flowers by Fabloomosity (10947 120 St.), stationery (complete with custom monogram) by Pinkpolka (10632B 124 St.) and a Fat Franks hotdog stand as a midnight snack.

Charlotte surprised Frantz with his favourite dessert, doughnuts, from Edmonton’s Moonshine Doughnuts and Frantz wore a tie-clip from Edmonton designer Hunt Amor. Charlotte wore a long, lacy Alvina Valenta dress from Delica Bridal (2951 Ellwood Dr.) and Frantz donned classic black Dolce & Gabbana.

Frantz, the music buff, chose Corinne Bailey Rae’s cover of Bob Marley’s Is This Love for their first dance. Harman B was their DJ, spinning ’90s and 2000s hip-hop and R& B. Everyone danced until 2.

Charlotte only has two regrets. “We needed to order way more doughnuts and I didn’t want it to end.”

“People say, ‘Are you nervous?’ But what is there to be nervous about?” says Frantz. “Imagine you know you’re going to win the lottery — your own personal lottery. You know that it’s going to come true. Then, you’re just like, ‘This is great. This is the greatest day ever.”

 

MAKING CHOICES

Wedding date: Dec. 18, 2014; June 27, 2015

December wedding location: Fairmont Hotel Macdonald

June reception location: Art Gallery of Alberta

Guests: 9; 130

First dance: Corinne Bailey Rae’s cover of Bob Marley’s Is This Love

Dress: Tom Ford; Alvina Valenta 

Flowers: Fabloomosity

Photographer: Gabe McClintock Photography 

Videographers: Capture the Moment Media

 

 

Keep your Kinks

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When Nigerian-born Osas Eweka hears women with afro-textured hair fret about their look, she just feels sad.

“It’s a huge issue for some people,” says the organizer of a natural hair show running Saturday, April 9 at the Boyle Street Community League. 

Rather than embrace and accept their puffy, curly, kinky hair, lots of people with Afro-textured locks will try to straighten, perm and pat their mane into something like submission. Eweka hopes participants at the Edmonton Natural Hair Show will learn another way is possible.

Running from 10 a.m. to 4 p.m. at 9538 103a Ave., the hair show has eight seminars featuring everything from discussion panels to demonstrations. CBC radio host Portia Clark, a style icon for women with Afro-textured hair, will be there to talk about natural hair in the media, and as the mother of bi-racial children who face hair challenges.

The goal of the show is to inspire people of all ages to enjoy their non-relaxed, non-texturized, non-straightened hair.

“It’s kinky, it defies gravity, it’s different, but it’s your hair,” says Eweka. “It’s something that makes you uniquely beautiful.”

The marketing and communications specialist was inspired to set up the show after spending time with an important social group she formed, Nappy Root Beauty Edmonton, which gathers non-Caucasian women to enjoy social activities and share life experiences. (Connect with the group at meetup.com.)

“I see women and even young girls, they don’t like their hair. It doesn’t flow in the wind…There are women who have natural hair and don’t know how to wear it to work. They think it doesn’t look professional enough, or clean enough. Where does that come from?”

Men also struggle with the issue, says Eweka.

“My brother works for the government and he has a ‘fro’ and it’s quite beautiful, but he feels he has to pat it down, or make it in some way presentable,” she says, noting that some men feel they must shave their heads to fit in.

She says the wider culture has to be accepting of people from other cultures with different hair, “not just in policy, but in practice.” 

For more details, go to edmontonnaturalhairshow.com. Tickets to the hair fair are $22 and available online or at the door.

 

 

 


Social Seen: saying farewell to winter and supporting student athletes

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts@edmontonjournal.com or tweet Max at @maxwellbrandon

 

Event: Fire and Ice Farewell to Winter Patio Party

When: April 2

Where: Fairmont Hotel Macdonald (10065 100 St.)

Who: Hotel Macdonald in partnership with Winter City Edmonton

WhatThird annual Farewell to Winter Patio Party

Featuring: Winter appetizers and hors d’oeuvres, fire pits, ice bar, music, the Battle of Alberta on outdoor screens and an ice-carving presentation

 

Event: Pastiche Encore 

When: April 7

Where: Enterprise Square (10230 Jasper Ave.)

Who: University of Alberta’s Golden Bears Volleyball

What: Tenth annual fundraiser to provide student athletes with scholarships, equipment, and non-conference travel

Featuring: An evening with family, friends, and alumni with a live art auction, silent auction, wonderful food and beverages

 

Edmonton artisan tells stories with her jewelry

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The art of jewelry-making first attracted Kim Hewitt because of its beauty, textures and brilliance.

“I’m like a squirrel,” says Hewitt. “I’m attracted to shiny things and I love colour.”

But when the Edmonton silversmith began telling stories with her jewelry, she realized its true potential and how much she loved it. The response Hewitt received from her “wearable stories” transformed her casual interest into a successful, full-time occupation.

It all began about three years ago. “My sister suggested we take a course down in the States and I went along just for the fun of it.” One thing led to another and now both sisters are silversmiths.

“I’ve been fortunate to have had some talented instructors and mentors,” says Hewitt. Her company, called Tiny Daisies Designs, offers her wares online through Etsy, the online handmade marketplace, where she has a five-star rating.

One of Kim Hewitt's rings, at her studio.

One of Kim Hewitt’s rings, at her studio.

Much of Hewitt’s jewelry is in silver, but she also works in gold, gemstones and even leather, with a diverse line of earrings, bracelets, rings and pendants. Although the look is contemporary, there are nods to antiquity in the detail, particularly in the use of Celtic patterns.

What really gave her business a boost was when one of her Father’s Day rings was featured by Etsy. The ring had a message hand-stamped on the band, and included a backstory in the description. Sales went through the roof. The response to that ring told her that there was a demand for meaningful, personalized jewelry with a message, even if that message is known only to the wearer.

“One of my first commissions was from a young girl, who at 16 had just started her first job. She wanted something very special for her mother, a single mom who had done so much for her.”

Working with her young client, Hewitt came up with the idea of hand-stamping a ring with the word “Beautiful” on the inside and outside of the ring, to signify the mom’s inner and outward beauty. Hewitt loved creating something that had so much meaning for both the girl and her mother.

Other designs told messages of inspiration. One was for a husband whose wife was about to have a double mastectomy. With the husband’s input, Hewitt designed a ring that on the outside was stamped with “Beautiful” and on the inside said “Strong.”

Another commission was from a mother who wanted something unique and personal for her daughter’s 16th birthday. “I just listened to what the mom was saying about her daughter and together we came up with a ring that said, “I believe in you.”

A spinner ring by Kim Hewitt.

A spinner ring by Kim Hewitt.

Some of Hewitt’s rings have spinners, narrow bands that spin around a wider band. Occasionally called meditation rings, these are interactive pieces of jewelry that encourage the wearer to play with or spin the bands. For many wearers, the act of spinning is soothing or calming.

“I’ve had clients who wear them to break a habit, like nail biting or even smoking, as a way of distracting them. One woman would spin her ring whenever she wanted a smoke.”

Earrings start at $24. Rings start at about $50 but most are in the $150-to-$250 range. Bracelets range from $60 to $275.

Not all the messages are happy ones. “There was a ring I made for a couple who had a stillborn child. The message read “Beautiful angel Kelly” and was stamped on the inside of the ring.”

Hewitt also hand-stamps bracelets. A client wanted something meaningful to give to her sister-in-law, who was also a friend. She came up with a bangle set that said “A true sister is a friend who listens with her heart.”

One of the first bracelets she made was for her father. It was leather and was stamped with the message, “I know you have loved me as long as I’ve lived, but I’ve loved you my whole life.”

Not all the stories are told in words. Sometimes a person will choose a ring with a surface that’s textured, instead of smooth, to convey a difficult journey in life. By talking to the client, Hewitt gets ideas of what the story is and how to convey it.

For others, there doesn’t have to be a story at all. “Some say they just like it because it’s pretty.”

 

How to contact Kim Hewitt: 

Etsy: www.tinydaisiesdesigns.etsy.com

Facebook: www.facebook.com/tinydaisiesdesigns

Instagram: www.instagram.com/tinydaisiesdesigns

Email: lovetinydaisies@gmail.com

 

 

Social Seen: Young musicians and dancers take centre stage

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts@edmontonjournal.com or tweet Max at @maxwellbrandon

 

Event: Ukrainian Shumka Dancers’ Kobzar

When: April 9

Where: Jubilee Auditorium 

Who: Ukrainian Shumka Dancers

WhatThe world première of their newest work, inspired by the words and works of eminent Ukrainian writer Taras Shevchenko

Featuring: Impressive and energetic folk and character dance under the creative direction of John Pichlyk.

 

Event: Edmonton Kiwanis Music Festival opening gala concert

When: April 10

Where: McDougall United Church

Who: Kiwanis Club of Edmonton

What: The launch of the 108th annual Kiwanis Music Festival, taking place from April 11-30

Featuring: A wonderful concert featuring award-winning performers from last year and students in this year’s festival. 

 

 

 

Social Seen: Ready to Shine and I Wish gala support children

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Max Hurd hits some of our city’s best bashes to snap photos for our weekly Social Seen column. He is an Edmonton photographer and designer. Email your event suggestions at arts@edmontonjournal.com or tweet Max at @maxwellbrandon

Event: Ready to Shine

When: April 21

Where: Kingsway Mall 

Who: Kingsway Mall and Edmonton Public Schools

What: Catwalk fashion show with work by young designers and local personalities to support families in need

Featuring: Designs by fashion studies students from six different Edmonton Public Schools. They worked with a variety of materials from luxurious fabrics to bubble wrap and sandpaper to create their pieces. Supporting the Edmonton Public Schools Foundation, which funds all-day kindergarten programs for schools in vulnerable social areas.

Event: I Wish FOR A NEW WAITER Gala

When: April 21

Where: Chateau Lacombe Hotel 

Who: The Children’s Wish Foundation

What: Superhero-themed gala

Featuring: An evening with a large silent auction, fun photo booth, drinks and good food. Celebrity waiters competed to grant the most wishes of five children.

 

 

Brides pin their hopes on a custom wedding gown from Edmonton designer

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Don’t be intimidated by the notion of a custom-made wedding dress.

“Its easier than you think,” says local fashion designer Kelly Madden, whose entire business is based on bridal wear.

Indeed, many of Madden’s clients come to her just because it’s easy. They can’t stand the thought of spending endless hours shopping for, and fussing over, a gown. A custom design is often far less time-consuming for brides, some of whom are overwhelmed by the foaming racks of tulle, lace, chiffon and sequins spilling from most bridal stores.

Another advantage to custom design is that a bride can get what she wants, not always possible with pre-made dresses. Off-the-rack gowns may not work for brides who seek a simpler look. Women who fall outside of the average body type because they have a larger bust, or hips that are out of proportion to the waist, can feel hopeless digging through a raft of gowns designed for their exact opposites. Custom design gives you the chance to mix and match design elements, too — a bodice from one dress, a train from another.

Also, Madden’s gowns are not crazy expensive. She doesn’t charge for consultations or fittings, and has created one-of-a-kind dresses that range in price from $500 to $5,000.

“I can’t compete with the $200 knock-offs from China,” says the 33-year-old designer who studied at emcee College in Edmonton. “But I try to be competitive with the bridal stores.”

It’s a challenge to design wedding gowns, or any other original fashions, while living in Edmonton. The design community is very small, and it’s hard to get fabrics, lace and other custom touches.

Still, Madden, who began her career making mascots and designing attractive scrubs for nurses, had had success. She created her own line of clothing that was once carried by Awear Style Co. on Calgary Trail, where owner Leila Gumpinger was incredibly supportive. But Madden found it too difficult to make a go of ready-to-wear; it’s hard to be profitable when designing an entire line of clothing, from coats to tops, that aren’t mass produced.

She saw a niche, though, in developing expertise in custom wedding gear. (Madden also does bridesmaids dresses and graduation dresses.) In the last year, she has designed and sewn custom gowns full-time, producing about 10 wedding dresses and another 50 frocks for bridal parties.

Typically, clients come to Madden six to eight months before the event.

EDMONTON, AB. APRIL 11, 2016 -Custom designed wedding gowns by local designer, Kelly Madden in her home fashion studio. Shaughn Butts / POSTMEDIA NEWS NETWORK

Kelly Madden makes custom-designed wedding gowns in Edmonton.

Sometimes brides-to-be have ideas gleaned from Pinterest or other online sites, or from magazines touting the latest trend (which is, by the way, bridal gowns in colours such as pale blush or soft rose.)

Often, Madden has to let customers know what’s possible, and what’s not, as some appear with imagined designs that are impossible to execute, like a deep backless gown with no obvious way to keep it up in the front. Lay people also don’t generally know a lot about fabric, how it moves, how it pleats or darts or dips. It’s Madden’s job to guide clients toward a combination of style, fabric and function that will result in a gorgeous dress for their special day. She doesn’t work with bought patterns, creating every look from scratch.

Custom designed wedding gowns by local designer Kelly Madden in her home fashion studio.

Custom designed wedding gowns by local designer Kelly Madden in her home fashion studio.

Madden has pictures of her designs, sample fabrics and some prototypes for bridesmaids’ dresses at her bright and professional studio, located in the trim basement of her Silverberry home. There’s a comfortable couch for clients, parents and friends, and a giant mirror against one wall.

The studio is where Madden learns whether she’s hit the mark for her brides. A sure sign is when the moms start to cry, or when the brides don’t want to take the gown off after a fitting. They twirl, and twirl again before the mirror, prolonging the moment. Loving the look.

“I love creating something from nothing, using my hands to create a product,” says Madden. “It’s satisfying to make people happy.”

lfaulder@postmedia.com

Follow me on Twitter @eatmywordsblog

 

 

 

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